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Syndication

Episode 41: To Be or Not to Be (1942)

"The named a brandy after Napoleon, they made a herring out of Bismarck, and the Fuhrer is going to end up as a piece of cheese!"

Ernst Lubitsch was one of Hollywood's biggest imports in the 1930's and 1940's, directing comedies starring Hollywood names like Ninotchka (1939) with Greta Garbo and The Shop Around the Corner (1940) with James Stewart.  He titillated the censors with films about sex...without scripts that hardly mentioned sex at all?

As Europe became embroiled in World War II, Lubitsch made To Be or Not to Be (1942), a film that would poke fun at another taboo: Adolf Hitler.  Audiences and critics at the time hated it, but through the years it's become Lubitsch's most popular film, earning cult status with a script filled with innuendos and dark humor and fantastic performances by Jack Benny and Carole Lombard.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

Direct download: Episode_41_To_Be_or_Not_to_Be_1942.mp3
Category:general -- posted at: 12:00pm CDT

Episode 40: The Battle of Algiers (1965)

"It's hard to start a revolution.  Even harder to continue it.  And hardest of all to win it.  But, it's only afterwards, when we have won, that the true difficulties begin.  In short, Ali, there's still much to do."

In our post-9/11 world, it's difficult to understand a culture that would be willing to kill innocent people for its cause, and to sympathize with it is downright impossible.  It's confounding that someone made a film in the 1960's about Muslim nationalists that is unbelievably sympathetic to their cause...and, more importantly, makes the viewer feel the same.

"The Battle of Algiers" (1965) was directed by Gillo Pontecorvo at a time when Algeria was occupied by France, and the citizens of Algiers found themselves resorting to terrorism to fight for independence.  It's depressing, shocking, and jaw-dropping...to say the least.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

Direct download: Episode_40_The_Battle_of_Algiers_1965.mp3
Category:general -- posted at: 12:00pm CDT

Episode 39: Amarcord (1973)

Enough can't be said about the life and films of Federico Fellini.  One of the greatest filmmakers of all time, his movies merge bizarrely between the autobiographical and the surreal.  He was taunted by both women and fascism, and both of these were expressed in Amarcord (1973) his most autobiographical of all his films.

Amarcord is the picaresque (and picturesque) story of a year in the life of the tiny Italian town of Rimini, Fellini's birthplace and his home throughout his youth.  Although none of the events or characters depicted in the film directly reflect anything in reality, they are the result of a 52-year-old man's jumbled memories of many years before.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

Direct download: Episode_39_Amarcord_1973.mp3
Category:general -- posted at: 12:00pm CDT

Episode 38: The Conversation (1974)

The 1970's were good for Francis Ford Coppola.  In 1972 he made movie history with The Godfather, followed it with the sequel two years later, and closed the decade with his bleak outlook on Vietnam with Apocalypse Now.

Only Coppola purists seem to remember The Conversation (1974), a suspense thriller starring Gene Hackman as Harry Caul, a paranoid loner of a surveillance man who hears more than he bargains for when he tapes a conversation between a cheating wife and her lover.  The film would go on to be nominated for three Academy Awards: Best Picture, Best Original Screenplay, and Best Sound.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

Direct download: Episode_38_The_Conversation_1974.mp3
Category:general -- posted at: 12:00pm CDT

Episode 37: Sleeper (1973)

"I'm not really the heroic type.  I was beat up by Quakers."

Before the scandal that almost ruined his career and before he wrote and directed enough films to fill a library, Woody Allen was (next to Mel Brooks) the king of American comedy cinema.

Sleeper, his sardonic take on the evolution of lifestyles and politics in the distant, has all the trademarks that made Allen so popular: his self-deprecating and sardonic wit, slapstick, and common co-star Diane Keaton.  It's a hilarious look at the early career of one of the most prolific American directors.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

 

Direct download: Episode_37_Sleeper_1973.mp3
Category:general -- posted at: 12:00am CDT

Episode 36: Ariel (1988)

"What shall we do now?"  "Let's get married and have a child."  "I already have a child."  "That's good.  We'll spare some time."  ""Are you always so self-confident?"  "This is the first time."

You've probably never heard of Finnish filmmaker Aki Kaurismaki, but if you enjoy the dry, black humor of directors like David Lynch and Quentin Tarantino, you're in for a treat.

Kaurismaki made films about the struggle of blue collar workers, usually in industrial cities like Helsinki and La Havre.  Ariel is his second in his "proletariat trilogy", preceded by Shadows in Paradise (1986) and followed by The Match Factory Girl (1990).  All three films are available in a set on DVD from the Criterion Collection.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

 

Direct download: Episode_36_Ariel_1988.mp3
Category:general -- posted at: 12:00am CDT

Episode 35: Captain Blood (1935)

"It's a truly royal clemency we're granted, my friends...one well worthy of King James.  He spares us the mercifully quick extinction of the hangman's rope...and gives us the slow death of slavery.  He grants us our lives in exchange for living death.  Faith, it's an uncertain world entirely."

Before Errol Flynn became a household name as a handsome and swashbuckling Hollywood star, Warner Brothers rolled the dice and cast him, an unknown actor from Tasmania, in Captain Blood, its answer to the up-and-coming craze of pirate pictures among audiences at the time.

Flynn instantly became a Hollywood darling opposite the already popular Olivia de Havilland, and the two would have the beginnings of a wonderful career together.  Flynn's life and popularity were short-lived, however, when his wild lifestyle caught up with him at a relatively young age.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

 

Direct download: Episode_35_Captain_Blood_1935.mp3
Category:general -- posted at: 12:00am CDT

Episode 34: Slumdog Millionaire (2008)

"I thought we'd be together only in death."

Danny Boyle's film about a poor teen from Mumbai who wins big on India's version of Who Wants To Be a Millionaire won the hearts of viewers everywhere, and it was released just in time to be nominated and snag a number of Academy Awards, including Best Picture.

Featuring a yet-unknown Dev Patel, the film is a love story and a drama wrapped up and presented to Western audiences as a Bollywood fairy tale.  Boyle walked away with an Oscar, proving to his critics that he could do more than make movies about drug addicts and zombies.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

 

 

 

Direct download: Episode_34_Slumdog_Millionaire_2008.mp3
Category:general -- posted at: 12:00am CDT

Episode 33: The Blair Witch Project (1999)

"I'm afraid to close my eyes, I'm afraid to open them."

The term "viral marketing" wasn't known in 1999 in the months before The Blair Witch Project premiered, but it practically invented the process.  With a rumor mill that began at the Cannes Film Festival, a creepy website, and stories that the film was actual found footage discovered in the woods after the disappearances of three hapless film students, it was destined for greatness.

The film began the "found footage" craze, and founded a sub-genre that is generally frowned upon today as lazy and cheap.  Nevertheless, props should be given to the film for its influence on horror and the effect it still has on audiences who dare to watch it in the dark.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

Direct download: Episode_33_The_Blair_Witch_Project_1999.mp3
Category:general -- posted at: 12:00am CDT

Episode 32: The Man Who Had His Hair Cut Short (1965)

Based on the novel of the same name by Johan Daisne, Andre Delvaux's The Man Who Had His Hair Cut Short (1965) is quite possibly Belgium's most critically acclaimed film.  the first of Delvaux's short directorial career, it's a story of obsession, anxiety, and loneliness, all couched in the facade of a psychological thriller.

Delvaux would go on to make a handful of films (including Un soir, un train [1968], also based on a book by Daisne) until the late 1980's, although none would bring him as much acclaim as The Man Who Had His Hair Cut Short.  He died in 2002.

Have a question or comment for the host?  Email Sean at 1001moviespodcast@gmail.com or follow him on Twitter via @1001MoviesPC.

Direct download: Episode_32_The_Man_Who_Had_His_Hair_Cut_Short_1965.mp3
Category:general -- posted at: 6:01pm CDT